SCREENWRITING 2.O

Posted by TW on 26 Feb 2008 | Tagged as: Resources

Web 2.0 is a phrase that refers to the new direction of the Internet: web applications that function through your browser, also known as “web apps”. For example, word processing is now available for free straight from your Internet browser from a dozen different sources, including the very slick Buzzword, Google Docs, Zoho Writer, and others. That means you don’t need to buy MS Word or any other word processor, as long as you have an Internet connection. And your documents are available from anywhere in the world, as long as you have an Internet connection. Similarly, spreadsheets that compete with Excel and Lotus are also beginning to be available through web apps. So, how does this relate to screenwriting?

ZHURA.COMThe folks at Zhura were kind enough to invite me to test drive their new screeenwriting web app at, where else, zhura.com. The idea is that you no longer need to buy any screenwriting software; you can just write your script online and, when you’re done, download it in pdf format for submission to your favorite Hollywood mogul.

Before writing this post, I took some time to play with this new toy and even asked Zhura some questions, which they quickly answered. At first, I was put off by all of the “corroberation” features. When you arrive at the front page, you see a world that looks different than that of any serious screenwriter - namely, open access to everyone’s drafts and ideas, free collaboration, and no way to ever protect your intellectual property. That is the “Public” side. It is the opposite of what working writers need. However, I quickly discovered the “Personal” side, where everything is private, your files are not accessible to anyone, and you use the web app pretty much like you would use any screenwriting software. You can even give access to anyone you want, such as your writing partner, so he or she can access the work from any Internet connection. It automatically saves, keeps revisions, and allows you to revert to a previous draft.

The fun of this program is that (i) it’s free; (ii) it works pretty well; and (iii) it exports to Final Draft (in txt format) and likely most other screenwriting programs (I don’t use others, so I couldn’t test it on them). However, it is a beta program and still has a some drawbacks, which the folks at Zhura tell me they are working slavishly to address even as you read this. First, for a full length screenplay, I found the web app sluggish, which took me right out of my work. The last thing I want to think about while writing is the software. However, for shorter pieces, and even for longer pieces if you break them up into separate files, it worked fine. Second, it does not show traditional page breaks until you save as a pdf or export as a txt. That means, while you are writing, you have to guess where you are in the script. That is a problem I have seen in other recent programs as well. Zhura says they are also working on that issue. Finally, it does not have some of the bells and whistles common to the most popular screenwriting software, including, for example, the ability to change page length by imperceptibly changing line spacing. I would not be surprised to see all of these issues addressed in the future.

In summary, I can’t say Zhura is quite there yet, at least not for the working writer or the aspiring to be working writer. It needs to have all of the features of the major screenwriting software to do that. However, it is a huge step in the right direction, a lot of fun to play with, and (with luck) will add the features needed to be really competitive. It is definitely worth signing up and checking out. Let me know what you think.

Enough. Now go write.

MORE SCRIPTS, PT. 2

Posted by TW on 04 Jan 2008 | Tagged as: Resources

FOX SEARCHLIGHT

Someone was kind enough to share with this blog the Fox Searchlight URL where it also has nominated scripts posted, but your comment was sucked away by my sometimes arbitrary spam filters. I saw it disappearing too late to rescue it. If anyone has the link, please share it. You can send it to me on the questions page if it does not post when you submit it.

UPDATE: Per Christina (see her comment), here is the URL for Fox Searchlight Scripts: http://www.foxsearchlight.com/awards/ Thanks. They have another great collection, including “JUNO”, “Waitress”, “The Darjeeling Limited” and some others.

MORE SCRIPTS

Posted by TW on 20 Dec 2007 | Tagged as: Library

Instead of crabbing that you will never break into Hollywood because of the strike (which is bunk), spend the time writing and reading! Both Universal and Miramax are allowing you to download screenplays for their Oscar-hopefuls.

Universal has pdf versions of: “American Gangster”; “Breach”; “Knocked Up”; “The Kingdom”; “The Bourne Ultimatum” and “Elizabeth The Golden Age” available here.

Miramax has pdf versions of: “No Country For Old Men”; “The Diving Bell And The Butterfly”; “Hoax”; and “Gone Baby Gone” available here. When you get to the Miramax site, you have to dig the scripts out by clicking on the poster and looking for the link.

Don’t wait. Who knows how long they will keep these up? This is a terrific collection of scripts that cannot do anything but help you write. Download them, read them, all. (I will do the same.)

UGLY

Posted by TW on 08 Dec 2007 | Tagged as: WGA Strike

The studios walked on negotiations after issuing an ultimatum to the WGA.   (Thanks, Nikki Finke for the amazing strike coverage.)  In my opinion, they have virtually guaranteed a very long and painful strike.  One of the heads of IATSE, who’s employees are likely to suffer the most, came out bitterly against the writers, saying:

“[T]hey are destroying a lot of lives…. [T]he number of IA members who have lost work is fast approaching 40,000 people representing members all over the US and Canada. Unless and until the WGA leadership starts behaving responsibly, which is unlikely, not only wages, health insurance coverage and pension benefits will be lost. Homes and businesses will be lost, too.”

(As reported in the pro-AMPTP Variety.)  IATSE has a history of siding with the studios over the writers.
My analysis:  The writers have no choice but to hang tough.  The studios understand the damage a long strike will cause everyone, but prefer to let the pressure on the writers build.  The studios are orchestrating this strike, deciding how long it will last, and they are prolonging it in the hopes of breaking the WGA completely.  The damage and bitterness this strike will leave behind (on all sides) will last for many, many years, perhaps reshaping the industry.  If the writers thought this would be anything less than a dogfight, they were mistaken.  Nevertheless, go writers.  It is going to be very, very tough, but you really have no choice.

PENCIL PUSHER

Posted by TW on 24 Nov 2007 | Tagged as: WGA Strike


Chad Gervich of Writer’s Digest Script Notes asks us to send pencils to the studios to show support and solidarity with the striking writers. Check out his regularly interesting blog here.
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